Let’s see if I can remember what I saw this year!
Why Don’t You Play in Hell?
Gleeful bloody mayhem from Japanese maverick Sono Sion. Easily his most fun and accessible film so far that I have seen. Crazed film-makers meet crazed yakuza meet just plain crazy. (Would still recommend Love Exposure over this; similar level of fun, but more wrong and challenging.)
Hard to be a God
Um. A long three hours of black and white Russian incomprehensibility, apparently based on a Strugatsky brothers novel, with a fascinating premise – scientists land on a planet like Earth but 800 years ago, and wait around to observe the Renaissance happen, but it doesn’t. Unfortunately, about half an hour in I gave up on being able to make any sense out of what was happening on screen, which had a lot of incredibly claustrophobic shots with things obscuring the camera, a huge amount of bodily fluids and general disgustingness (in a middle ages way), and a real difficulty in working out who anyone was or what was going on at any point. Sort of glad I have seen it so I don’t have to watch it again. Hard to recommend but certainly remarkable.
Good fun action thriller set on a never-stopping train that is the only human life remaining in the world after the world freezes over. Apparently the festival release is longer than the US release, so be careful which one you track down. The version I saw was great.
Holy shit, see this. A doco about the greatest movie never made. Visionary genius and madman Alejandro Jodorowsky, after making Holy Mountain (aka a movie I love and could write a thesis about) set about adapting Dune (which he had of course not read when he decided to do it). Over two years he assembled the greatest cast, concept artists, and musicians ever to bring the vision to life. Everything was ready and then no one would fund it because it would be the most expensive movie ever and it was a huge weird sci-fi movie before blockbusters existed and before Star Wars had happened; an unmade film with a huge hidden influence. The stories behind the scenes are magnificent and mad, and the whole thing is hugely fun despite ultimately being kinda tragic.
Extraordinary mix of live action and animation based on a Stanislaw Lem novel. Robin Wright gives an amazing performance (and allows an amazing harsh script of her life to be rendered) before some wonderfully mindbending and bugfuck animation goes berserk and raises some interesting questions along the way.
A movie set entirely in a car as a guy drives and talks to people on his hands-free kit on the night his life goes completely to hell. Solid, taut, good.
Film set in Mali under Islamic jihadist rule. Locals struggle to live their way as crazy proscriptions are placed on their lives. Beautiful locations, simple story, somehow felt more documentary than narrative. Complete otherworldliness. Good stuff.